Robin Mitchell is a native of Los Angeles, California
She lives and works in Santa Monica, California
SOLO EXHIBITIONS
2025 Inner Vision: Abstraction and Cognition,
Kleefeld Contemporary Art Museum at California State University, Long Beach
2024 90: Robin Mitchell Garden & Cosmos, Proxy Gallery, Beyond Baroque, Venice, CA
2023 Robin Mitchell: Spellbound, Craig Krull Gallery, Santa Monica, CA .
2021 Robin Mitchell: Emanations, online virtual exhibit, Craig Krull Gallery,
Santa Monica, CA
2018 Robin Mitchell: Paintings, Craig Krull Gallery, Santa Monica, CA
2018 59. Robin Mitchell: Mirror, Proxy Gallery, Culver City, CA
2016 Robin Mitchell: How Many Heartbeats in a Lifetime?, Craig Krull Gallery,
Santa Monica, CA
2013 Robin Mitchell: Moment to Moment, Craig Krull Gallery, Santa Monica, CA
2011 Robin Mitchell: Treasure Maps, Craig Krull Gallery, Santa Monica, CA
2009 Robin Mitchell: New Paintings, Craig Krull Gallery, Santa Monica, CA
2007 Robin Mitchell: Code Paintings, Craig Krull Gallery, Santa Monica, CA
2007 Robin Mitchell, Jancar Gallery, Los Angeles, CA
2001 Fragrant, The Living Room, Santa Monica, CA
1984 Robin Mitchell, Jan Baum Gallery, Los Angeles, CA
1983 Robin Mitchell, Jan Baum Gallery, Los Angeles, CA
1981 Robin Mitchell, Baum-Silverman Gallery, Los Angeles, CA
1974 Robin Mitchell, Comsky Gallery, Los Angeles, CA
GROUP EXHIBITIONS
2025
Inner Vision: Abstraction and Cognition,
Kleefeld Contemporary Art Museum at California State University, Long Beach
2024
In Color, Long Beach Creative Group at Ron Briggs Gallery, Long Beach, CA
https://longbeachcreativegroup.com/exhibitions/
2023
The Feminist Art Program (1970-1975): Cycles of Collectivity,
REDCAT Roy and Edna Disney/Cal Arts Theater Gallery,
Los Angeles, CA 9/13/2023 - 2/18/2024
https://www.redcat.org/events/2023/the-feminist-art-program
2022
Surface Tension, Sam Francis Gallery, Crossroads School, Santa Monica, CA
Abstract 2 + 2, Vita Art Center, Ventura CA
Hurry Slowly, Kleefeld Contemporary Art Museum at California State University, Long Beach
Womanhouse 1972 - 2022 50th Anniversary Exhibit, Anat Ebgi Gallery, Los Angeles
2019
Valley Girl Redefined, Brand Library and Art Center, Glendale, CA
Ineffable, Keystone Gallery, Los Angeles, CA
Tomes: An Exhibition of Artist Books, Alyce de Roulet Williamson Gallery,
Art Center College of Design, Pasadena, CA
2018
Visions of Elysium, Inland Empire Museum of Art, Upland, CA
2015
PRETTY RAW: After and Around Helen Frankenthaler, Rose Art Museum,
Brandeis University, Waltham, MA
Southern California Abstraction Now, Barrett Art Gallery,
Santa Monica College, Santa Monica, CA
2014
Toward the Heart of the Matter: Abstracting From Nature,
Sturt-Haaga Gallery, Desconso Gardens, Flintridge, CA
Curiouser and Curiouser: Work Inspired by Alice’s Adventures in Wonderland,
Art Division, Los Angeles, CA
2011
Crises and Whispers, Sam Lee Gallery, Los Angeles
2010
Ou-boum, Art Gallery, Long Beach City College
2009
Everywhere & Nowhere, the Spiritual Temperament in Recent American Art,
International Festival of Sacred Arts, New Delhi, India
2008
Painting in Southern California, The 1980s:Driven to Abstraction II,
Riverside Art Museum, Riverside, CA
It’s Gouache and Gouache Only, curated by Geoffrey Young,
Andrea Meislin Gallery, New York, NY
Some Paintings: The Third L.A. Weekly Annual Biennial, Track 16 Gallery, Santa Monica, CA
LA (A Select Survey of Art From Los Angeles), Center for Contemporary Art, Sacramento, CA
Emphasis Santa Monica, Pete and Susan Barrett Art Gallery,
Santa Monica College, Santa Monica, CA
2007
Works On/Of Paper, The Brewery Project, Los Angeles, CA
Women Artists of Southern California: Then and Now, Track 16 Gallery, Santa Monica, CA
Exquisite Acts & Everyday Rebellions, California institute of the Arts, Valencia, CA
30th Anniversary Exhibit, Jan Baum Gallery, Los Angeles, CA
Drive By Gallery Window Installation, Vernon Avenue, Venice, CA
2006
Off the Wall: Murals, Armory Northwest, Armory Arts Center, Pasadena, CA
Immodesty, Another Year in LA, Los Angeles CA
COLA 1996-2006, Los Angeles Municipal Art Gallery,
Barnsdall Art Park, Los Angeles, CA
2005
Los Angeles Printmaking Society 18th National Exhibition,
Armory Center for the Arts, Pasadena CA
Pressing On, Kent State University, School of Art Gallery, Kent, OH
2003
L.A. Post Cool, Ben Maltz Gallery, Otis College of Art, Los Angeles, CA
Tinseltown, domestic setting, Los Angeles, CA
2002
L.A. Post Cool, San Jose Museum of Art, San Jose, CA
25th Anniversary Exhibit, Jan Baum Gallery, Los Angeles, CA
2001
The Importance of Being Earnest, Occidental College Galleries, Los Angeles, CA
2000
Luminous, Ikon Gallery, Santa Monica, CA
Cake, Pasadena City College Art Gallery
L.A. Brastractionists, Inmo Gallery, Los Angeles, CA
1998
City of Los Angeles (COLA) Exhibition, Municipal Art Gallery, Barnsdall Art Park, Los Angeles, CA
Art At Michael’s, Michael’s Restaurant, Santa Monica, CA
L.A. New Art/Arte Actual en Los Angeles, Fine Arts Gallery, University of Madrid, Spain
1997
Plastered, Shoshana Wayne Gallery, Bergamot Station, Santa Monica, CA
L.A. New Art/Arte Actual en Los Angeles, Sala de Exposiciones, Cuenca, Spain
My Favorite Femmes, Jan Baum Gallery, Los Angeles, CA
Distant Bodies, L. A. Art Core, The Art Bank, Los Angeles, CA
XX-Sight, Contemporary Arts Forum, Santa Barbara, CA
Remembrance of Exhibitions Past: 20th Anniversary Celebration Exhibition,
Jan Baum Gallery, Los Angeles, CA
L.A. Slide, The Living Room, Santa Monica, CA
Los Angeles Printmaking Society 14th National Exhibition,
Laband Art Gallery, Loyola-Marymount University
$100 Show, Post, Los Angeles, CA
1996
Feminist Directions 1970/1996, Sweeny Art Gallery,
University of California at Riverside, Riverside CA
True. Bliss., Los Angeles Contemporary Exhibitions, Los Angeles, CA
Blessings and Beginnings, Skirball Cultural Center, Los Angeles, CA
Teeming, Post Gallery, Los Angeles, CA
Love’s Labors Lost , SI.T.E., Los Angeles, CA
Thought Works @ L.A., Art Center, Battle Creek, MI
Thought Works @ L.A., Valdosta College Art Gallery, Valdosta, GA
$100 Show, Post, Los Angeles, CA
Aftershocks, collaborative group print portfolio, Josephine Press, Santa Monica, CA
1995
Aftershocks, Artworks Gallery, Santa Monica, CA
Transcendental Meditations, William Turner Gallery, Venice, CA
Hodge Podge Lodge, The Art Store Gallery, Los Angeles, CA
Division of Labor: Women’s Work in Contemporary Art,
Museum of Contemporary Art, Los Angeles, CA
Restless Voices: Abstractions from Los Angeles, Schick Art Gallery,
Skidmore College, Saratoga Springs, NY
Embraceable You: Current Abstraction, Moody Gallery of Art, University of Alabama, Tuscaloosa,
Surface Tension, Santa Barbara Contemporary Arts Forum, Santa Barbara, CA
1994
Embraceable You: Current Abstraction, Selby Gallery of the Ringling School of Art and Design, Sarasota, FL
December, Jerold Burchman Contemporary Art, Santa Barbara, California
Embraceable You: Current Abstraction, Pritchard Art Gallery, University of Idaho, Moscow, Idaho
Faculty Exhibition: Department of Art Studio, University Art Museum,
University of California, Santa Barbara
1993
Coastal Abstractions, Manhattan Beach Friends of the Fine Arts. Curated by Peter Frank. Catalog.
The Layered Look, Jan Baum Gallery, Los Angeles, CA. Organized by Sue Spaid
Aspects of Painting in Los Angeles, Gallery of the College of Creative Studies, U C Santa Barbara
1992
A Small Show, Susan Landau Contemporary Art, West Los Angeles, CA
Abstract Paintings, Dorothy Goldeen Gallery, Santa Monica, CA
Coming Unraveled, Otis School of Art and Design Gallery, Los Angeles, CA.
Curated by Anne Ayres. Coming Unraveled is a part of The Los Angeles Exhibition.
L.A. Xtension, ART LA 92/Los Angeles Contemporary Art Fair, Los Angeles Convention Center
Drawing Show, Nomadic Site at Bliss, Pasadena, CA. Curated by Adam Ross.
Los Angeles: Works on Paper, Michael Himovitz Gallery, Sacramento, CA
Inscapes, Works Gallery, Costa Mesa, CA
1991
Abstract Variations, Jan Turner Gallery, Los Angeles, CA
Professor's Choice, Lang Art Gallery, Claremont Colleges, Claremont, CA
1989
Experience-Reordered, L.A. Abstractions, Allport Gallery, San Francisco, CA.
1988
L.A. Weekly Critics' Picks Exhibit, LA 88, Los Angeles International Contemporary Art Fair
Registry, Santa Monica Heritage Museum, Santa Monica, CA
Small Works, Cal Arts Alumni Exhibit, California Institute of the Arts, Valencia, CA.
Twenty Artists-Los Angeles, City Gallery of Contemporary Art, Raleigh, North Carolina.
1986
Southern California Monoprints: The Singular Image,
Guggenheim Gallery, Chapman College, Santa Ana, CA.
Summer Exhibit, Patty Aande Gallery, San Diego, CA.
1984
The Cotton Exchange Show, LACE- Los Angeles Contemporary Exhibitions, Los Angeles, CA.
The Finals, Jan Baum Gallery, Los Angeles.
Environs III: W. Washington Blvd., Art Gallery of the Loyola Law School, Los Angeles.
Olympiad: Summer 1984, Koplin Gallery, Los Angeles.
1983
At Home, collaborative installation with Miriam Schapiro, Long Beach Museum of Art, Long Beach, CA.
Faculty Exhibit, Art Gallery, California State University at Fullerton. Fullerton, CA.
1982
Art Today, Offices of Welton-Beckett Architects, Santa Monica, CA
Group exhibit, Jan Baum Gallery, Los Angeles
Faculty Exhibit, Libra Gallery, Claremont Graduate School, Claremont Colleges, Claremont, CA.
1980
Group exhibit, Baum-Silverman Gallery, Los Angeles.
1979
Color, Cedars-Sinai Medical Center Art Exhibition Space, Los Angeles.
Faculty Exhibit, Libra Gallery, Claremont Graduate School, Claremont Colleges, Claremont, CA.
Abstract Works on Paper, Baum-Silverman Gallery, Los Angeles
1978
L.A. Painters, Libra Gallery, Claremont Graduate School, Claremont Colleges, Claremont CA.
Group exhibit, Cedars-Sinai Medical Center Exhibition Space, Los Angeles.
Fine Arts Faculty Exhibit, Los Angeles Harbor College, Wilmington, CA.
1977
100+, Los Angeles Institute of Contemporary Art, Los Angeles. Curated by Robert Smith.
We Were All Here, Art Gallery, California State University at Northridge.
Curated by Joanne Julian. Catalog.
Los Angeles Women Artists, touring exhibit organized for the State of North Carolina.
1976
24 Southern California Women Artists, Cerritos College, El Cerritos, CA. Curated by Gil Steele
Group exhibit, Ellie Blankfort Gallery, Los Angeles. Catalog.
1975
Robin Mitchell, John Miller and Dave Thomas, Art Gallery of Santa Ana College, Santa Ana, CA.
Contemporary Concerns II, Los Angeles Institute of Contemporary Art,Curated by Walter Hopps.
Selections from Five Orange County Galleries, Laguna Beach Museum of Art, Laguna Beach, CA. Curated by Charles C. Hill.
1974
Eleven Young Californians, Comsky Gallery, Los Angeles.
Robin Mitchell/Jim Oliver, Gallery TJB, Newport Beach, CA. Curated by Charles C. Hill
1973
Women Artists Invitational Drawing Exhibition, Womanspace Gallery, Los Angeles.
Thirteen Artists on Paper, Art Gallery of the College of Creative Studies,
University of California at Santa Barbara
1972
Small Images, Art Gallery of California State University at Los Angeles.
Curated by Josine Ianco-Starrels.
New Artists/New Work, Rental Gallery, Los Angeles County Museum of Art.
Curated by Laura Lee Woods.
Womanhouse, collaborative project of the Feminist Art Program, California Institute of the Arts.
BIBLIOGRAPHY
2024
60 Over 60 \: Robin Mitchell June 29, 2024 online feature of website publication Art and Cake
https://artandcakela.com/2024/06/29/60-over-60-robin-mitchell/
2023
Mallinson, Constance, @artiq_cm, Spellbound exhibition review on Instagram blog
2021
Kapon, Annetta, PROXY GALLERY 2018 - 2020, PROXY Gallery catalog
2019
Brown, Betty, "Valley Girl Defined" Artillery Magazine, March 5, 2019
https://artillerymag.com/valley-girl-redefined/
2018
Silsbee, Kirk, “Hitting the Mark with Robin Mitchell” artsmeme.com
www.artsmeme.com/2018/03/20/hitting-the-mark-with-robin-mitchell
Zellen, Jody, “Nancy Monk and Robin Mitchell: From the Delicate to the Explosive”, ArtNowLA March 2018
http://artnowla.com/2018/03/21/nancy-monk-robin-mitchell/
Rubin, David S., “The Power of Mark Making”, Editor’s Roundtable, Visual Art Source, March 23,2018
http://www.visualartsource.com/index.php?page=editorial&aID=4623
2017
COLA 20 Catalog, City of Los Angeles, Department of Cultural Affairs
2016
Whitney, Kay, “How Many Heartbeats In A Lifetime” review, Art About Town, Fabrik, Issue 31 June/July 2016, pp 88-89
https://issuu.com/fabrik/docs/fabrik31?e=1031955%2F3670505
Moret, A, “Robin Mitchell: How Many Heartbeats In A Lifetime”, Art .Ltd Magazine, May/June 2016 p. 25
http://artltdmag.com/2016/05/robin-mitchell/
2015
Siegel, Katy, “The Heroine Paint” After Frankenthaler, published by Gagosian Gallery
Roberta Smith, New York Times, Review: ‘Pretty Raw’ Recounts Helen Frankenthaler’s Influence on the Art World, June 03, 2015
Smee, Sebastian, “Raw Power at Rose Art Museum”, Boston Globe, Art Review February 19, 2015
2014
Fallon, Michael, “Creating the Future:Art and Los Angeles in the 1970s”, Counterpoint Press
2013
David Pagel, Moment to Moment exhibition review, Los Angeles Times, July 2013
2010
Schor, Mira, A Decade of Negative Thinking: Essays on Art, Politics, and Daily Life, Duke University Press
California International Arts Foundation, L.A. Rising: SoCal Artists Before 1980
2009
Miles, Christopher, Robin Mitchell at Craig Krull Gallery, LA Weekly, November 5-11, 2009, page 41.
https://www.laweekly.com/robin-mitchell-at-craig-krull-gallery/
Miles, Christopher, Art Around Town, L.A. Weekly, March 13-19,2009, page 52
2008
Harvey, Doug, Some Paintings: The Artists in the Third L.A. Weekly Annual Biennial, L.A. Weekly, January 11-17, 2008
2007
Mallinson, Constance, Robin Mitchell at Jancar Gallery, Art in America, September 2007
Pagel, David, Robin Mitchell at Craig Krull Gallery, Around the Galleries, Los Angeles Times, July 13, 2007, Calendar Section
Women Artists of Southern California: Then and Now, Track 16 Gallery, Santa Monica, CA catalog
Frank, Peter, Still Waters and Restless Currents, L.A. Weekly, August 3-8, 2007, page 82
2006
Peter Frank, Art Pick of the Week, LA Weekly, September 28, 2006
Tommy Freeman, Immodesty” at Another Year in LA, Artweek, November 2006, Volume 37, Issue 9 pp 19 -20
2005
Los Angeles Printmaking Society 18th National Exhibition, catalog,
Armory Center for the Arts, Pasadena CA
2002
Duncan, Michael, L.A. Post Cool, catalog essay, San Jose Museum of Art
Cooper, Bernard, “In the Raw”, Los Angeles Magazine, December 2002, pp 124-128
2001
Duncan, Michael, The Importance of Being Earnest, catalog essay
Willette, Jeanne S.M. “COLA: 1997-98” at the L.A. Municipal Art Gallery, Artweek, July-August 1998, pp 29-30
City of Los Angeles, Cultural Affairs Department, COLA 1997-1998 Individual Artists Grants Catalog
Frank, Peter, Art Picks of the Week, L.A. Weekly, June12-June 18, 1998, page 155
1998
Wilson, William, “COLA” Puts Spotlight on Local Winners, Los Angeles Times, May 8, 1998, Calendar Section, page F22
1997
Schor, Mira, Wet: On painting, Feminism, and Art Culture, Duke University Press
Spaid, Sue, Trudging the Gradient From Art to Fashion, Gradient,
A publication of the Communication Arts and Liberal Studies Departments at Otis College of Arts & Design, pp 22-23
_______: RIBOT: No. 5: History, published by College of Neglected Knowledge, edited by Paul Vangelisti, Los Angeles, CA
Lillo, Jose Maria, L.A. New Art/Arte Actual en Los Angeles, Sala de Exposiciones, Cuenca, Spain, catalog
Davis, Bruce, Some Personal Observations on Contemporary Printmaking and the 14th National,
Los Angeles Printmaking Society 14th National Exhibition, catalog
Martin, Victoria, Teeming at Post, Artweek, February, 1997, page 23
Frank, Peter, Art Picks of the Week, L.A. Weekly, Vol. 19, No. 10, Jan 31-Feb 6, 1997
1996
Jones, Amelia and Laura Meyer, Feminist Directions 1970/1996, exhibition catalog,
Sweeny Art Gallery University of California at Riverside
Joyce, Julie, True. Bliss., exhibition catalog, Los Angeles Contemporary Exhibitions
Whitney, Kay, Love and Scarcity: The Anonymous Is A Woman Awards, New Art Examiner, December + January 1996/1997, pages 52-53
Muchnic, Susan, The Kindness of Strangers, L.A. Times, Calendar Section F, Page 1, August 30, 1966
Frank, Peter, Art Picks of the Week, L.A. Weekly, Vol. 19, No. 3, December 13-19, 1996, page 150
Duncan, Michael, Flash and Filigree, Art in America, December 1996, page 113.
Kandel, Susan, Infectious Spirit, L.A.Times, Art Reviews, Calendar Section, December 19, 1996, page F6
Leddy, Pat, Aftershocks at Artworks, Artweek, June 1966, Volume 27, Number 6, pp 24-25
Whitney, Kay, Unnamed Group Benefits Female Artists, The Albuquerque Tribune, Arts Section, pp B1 and B8
1995
RIBOT: No. 3: Beauty, published by College of Neglected Knowledge, edited by Paul Vangelisti, Los Angeles, CA
Crowder, Joan, On the Surface, Santa Barbara News-Press, February 10, 1995, pages 25-26 with reproduction.
1994
Cubarrubia, Eydie, Feel the Emotions of Abstract Art, Bradenton Herald, August 12, 1994
Crowder, Joan, From the Gritty to the Sublime, Santa Barbara New-Press, January 14, 1994, pps 25-27
Duncan, Michael, L A. Rising, Art in America , December 1994, pp 72-82 with color reproduction.
_______. Restless Voices: Abstractions from Los Angeles, exhibition catalog, Schick Art Gallery, Skidmore College, Saratoga Springs, NY
Broude, Norma and Mary Degarard, Editors, The Power of Feminist Art,The American Movement of the 1970’s, History and Impact, Abrams
Colpitt, Frances, Embraceable You: Current Abstraction, catalog, Selby Gallery, Ringling School of Art and Design, Sarasota, FL
Altabe, Joan, Super-Realism Colors Superb Abstract Show, Sarasota Herald Tribune, September 26, 1994
1993
Frank, Peter, Coastal Abstractions. Exhibition catalog essay, Manhattan Beach Friends of the Fine Arts
Spaid, Sue,The Layered Look: Transience, Superimposition and Identity, essay accompanying exhibition
Kandel, Susan, Art Reviews, Los Angeles Times, July 29, 1993
Darling, Michael, In the Arena, Santa Barbara Independent, March 18, 1993
Duncan, Michael, Report From Los Angeles:”LAX” Lifts Off, Art in America, April, pps 50-55. Color repro.
Frank, Peter, Art Pick of the Week, L.A. Weekly, January 15-21, 1993, page 95
1992
Pagel, David, Coming Unraveled, Los Angeles Times, December 11, 1992. Section F, page 16
Ross, Adam, Drawing Show catalog. Nomadic Site at Bliss, Pasadena, CA. Summer 1992
Ayres, Anne, LAX: The Los Angeles Exhibition, exhibition catalog, reproduction. December 1992
_______. Dialogue: Robin Mitchell and Kay Whitney, Visions Art Quarterly, Winter, 1991/92, Vol. 6 No.1
1989
Moore, Sylvia, Yesterday and Tomorrow: California Women Artists, mid March, Arts, 1989
1988
Frank, Peter, Signs and Apparitions: Four Artists from Southern California, Contemporanea, June 1988
1987
Svitil, Torene,State of the Arts, Exposure Magazine, Vol. 1, Issue II, 1987. Black and white reproduction.
1984
Gardner, Colin, ArtScan , Images and Issues, July/August 1984
Donahue, Marlena, At the Galleries, Los Angeles Times, April 7, 1984, section IV
Knechtel, Tom, Promises of More, Artweek, April 21, 1984. Black and white reproduction.
1983
Brown, Betty, review, Arts Magazine, April 1983, page 44, volume 57, number 8
Muchnic, Suzanne, At the Galleries, Los Angeles Times, February 11, 1983, section IV
Anderson, Isabel, Compared Energies, Artweek, February 19 1983, Vol. 14, Number 7.B &W repro.
1982
Danieli, Fidel, Four Painters, Images and Issues, Summer 1982. Black and White reproduction.
Dellabough, Robin, Shattering the Glass Slipper, Cal Arts Today, March 1982, Volume VII, Number 4
1981
Muchnic, Suzanne, At the Galleries, Los Angeles Times, February 6, 1981, section IV
_______. Reproduction/black and white, L .A. Weekly, March 6-12, 1981.
1977
Wilding, Faith, By Our Own Hands; The Women Artists' Movement in Southern California 1970-1976, Published by XX, 1977
Julian, Joanne, We Were All Here, exhibition catalog, October 1977, Fine Arts Gallery, California State University, Northridge, CA
1975
_______. Exhibition catalog, Cedars-Sinai Medical Center Gallery Exhibitions, 1975, Los Angeles, CA
Pieszak, Devonna, Current Concerns II: A View, LAICA Journal, Number 5, April 11/May 1975, page 50
_______. Reproduction, Artweek, 1975
Ballatore, Sandy, Current Concern II, Artweek, 1975
1974
Seldis, Henry, At the Galleries, Los Angeles Times. April 26,1974, page 15, section IV
1972
_______. Anonymous Was A Woman, published by the Feminist Art Program, California Institute of the Arts, 1971-72
_______. Woman House, catalog published by the Feminist Art Program, California Institute of the Arts, 1971-1972
LECTURES and TALKS
Routes: Five Women Artists Discuss Their Art and Careers
Panel Discussion
Art Division, Los Angeles, CA
November 11, 2023
Artist Talk
Kleefeld Museum of Contemporary Art at California State University, Long Beach
October 25, 2022
Why Color Matters
Art Division, Los Angeles, CA
2016
Blessings and Beginnings
Panel Discussion, Skirball Cultural Center, Los Angeles, CA, January 1997
Drawing
California State University Summer Arts Program, Drawing Workshop, July 1996
Abstract Painting: Dead or Alive?
paper presented at College Art Association Conference, Boston 1996
Surface Tension,
Dialogue with Michael Darling, part of exhibition at the Contemporary Arts Forum, Santa Barbara, CA. February 1995
Edgar Degas’ “Bellelli Sisters”: An Appreciation
Looking at Art With Artists Series, Los Angeles County Museum of Art. June 1994
Some Painters on Painting: The Process and the Dialogue
Panel Discussion, College Art Association Conference, Seattle, 1993
L.A.X.
Panel Discussion, ART LA 92/Los Angeles Art Fair, December 1992
Beauty
Southern California Women's Caucus for the Arts, Panel Discussion, October, 1992
Painting: Selections from the Permanent Collection 1975-91
Museum of Contemporary Art, Los Angeles, CA, December 1991
TEACHING
Santa Monica College, Art Department
Associate Faculty, Summer 1998 - through present
Pasadena City College, Visual Media and Performing Arts Division
Assistant Adjunct Professor: Spring 1997 - through present